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Saturday, July 25, 2015

Order Hiatus - an update

As can be seen on my main website, I have, since September of last year, put a hold on taking new kilt orders.  The primary reason is to allow me to catch up on my large backlog of orders.  For some time, the rate of new kilt orders coming in has outstripped the rate at which I can make them, leading to extended wait times for my customers (which neither they nor I are happy about).

This temporary hold is allowing me to remedy the situation by working through current outstanding orders without new orders being added to the back end of my order queue faster than I can turn new kilts out.

So far it is working.  My kilt order queue is currently stands at 18 kilts.  For years now it has been in excess of 30 kilts at any given time, so I am quite happy to see the smaller number.

However, it is slow going.  As most of my followers are aware, kilt making is not my full time job. While a full time kilt maker may be able to complete a kilt in 2 or 3 working days, my working days are spent tending to other duties.  Other aspects of the business are growing -- the House of Cheviot kilt hose we offer are becoming increasingly popular -- so the handling of those areas are taking up more of my time.  I am also making a pointed effort to spend more time in domestic pursuits, spending time with my wife and children, and tending to our smallholding where we raise the rare Soay sheep (from St. Kilda) and other small livestock.  These are all good pursuits, but limit the amount of time I can spend in my workshop sewing kilts.

Once years ago I was able to dedicate several hours each day to kilt making.  With the current demands on my schedule, I am generally able to only spend one full day per week making kilts, along with a few hours in the evenings during the week.  Kilt making is something I very much enjoy and still plan on pursuing, albeit on a more limited scale than in the past.  Circumstances may again change such that I will be able to dedicate more time to kilt making, but for the foreseeable future, it will remain on a smaller scale.

With that in mind, once I am able to resume taking orders, I plan on simplifying things to return to my roots and settle back into my "niche," as it were.  I started making kilts in 2004 by exclusively making four yard box pleated kilts, in the style of the early 19th century.  This is still what I am best known for.  Over the years, people have requested other styles of kilts, and I have sought to accommodate those requests as much as possible.  When I resume taking orders, my plan at this time is to make only two styles of kilt -- the four yard box pleated kilt (early 19th cent), and a six yard knife pleated kilt (late 19th cent).  If a customer requires a more modern style full eight yard kilt, I will source these through third party kilt makers, but that will not by my main focus.  I do not plan on offering waistcoats, sashes, plaids, jackets, sporrans, belts, etc., except on a case-by-case basis.

I will only be making kilts from heavy weight 16 oz or regimental weight 18 oz cloth, which I will obtain from one of three mills in Scotland -- Lochcarron, House of Edgar, and D. C. Dalgliesh.  Why these three mills?  Put simply, they supply the quality cloth I require for my kilts and otherwise meet my needs.  I will occasionally get requests to make kilts using cloth from other mills.  There are certainly other good mills out there.  I choose to work with these three for a few simple reasons:

  1. I prefer to only use cloth woven in Scotland; all three of these mills weave their cloth in Scotland.
  2. All three of these mills meet my quality standards.
  3. I require a wide selection of tartans in 16 oz cloth; between the stock holdings of Lochcarron and House of Edgar, and the custom weaving services of D. C. Dalgliesh, I can supply most all tartans my customers need.
  4. Each company is able to respond to my emails within a day or two -- this may seem like a minor point, but it is essential!
  5. I have been doing business with each company for more than a decade and have been happy with their services.
So, while I know there are other wonderful mills out there producing tartan cloth, I have no inclination at this time to branch out.  In the interest of keeping things simple, I prefer to continue to do business with a few companies that have proven track records with me of high quality and good service.  If you are having tartan woven by a different mill and wish me to make your kilt, I will continue to offer CMT kilt making services with customer supplied cloth on a case-by-case basis.

Now the big question:  When will I resume taking orders?
The short answer is, I don't know.  But it will happen.  I am starting to get more frequent emails asking if I plan on taking new orders soon.  I still need to get my order queue down before I am comfortable doing that.  And frankly, I don't know how long that will take.  But I am working on it.  In the meantime, I cannot reply to every individual email asking when I will be taking new orders.  Nor will I be starting a "waiting list" for new orders.  If I were  able to do that, I might as well be taking orders currently, as that is what a "waiting list" would amount to -- essentially more backlog of orders.  

When I am ready to take new orders, there will be an update on my web site -- and yes, you can expect prices to go up, unfortunately -- and I will be announcing it on our Facebook Page.  I will also announce it with a blog post here.  But the best way to know will be to follow our Facebook Page so that you will see the notification when it happens.  

Once I do resume taking orders, my plan is to keep a close eye on the order numbers and put periodic holds on new orders (hopefully shorter than the current hiatus) so that I don't get so far behind on current orders.  

Finally, on a semi-unrelated matter; I sometimes get asked about my participation on the X Marks the Scot forum.  I used to spend a lot of time on the forum and post with regularity.  I no longer do, and recently have ceased advertising with them.  Some people have contacted me to see if I am OK, or if any sort of falling out has occurred.  The answer is yes, I am OK, and no, there has been no falling out.  I simply have much less time available these days to spend on forums.  The fact is that I don't participate in any on-line forums.  I pulled my advertising simply because it seemed a waste to pay for advertising during a period when I was not actively taking orders.  There really is nothing more to it than that.  

So, in summation, yes, I am still alive.  Yes, I am still making kilts.  Yes, I am working my way (slowly) through my order backlog.  And yes, I will be taking new orders in the future but no, I don't know precisely when that will be.  And no, I'm not starting a waiting list for new orders.  If you need to contact me with any questions about a current order, please do so via email.  If you don't hear back from me within a day or two, please email me again with a reminder.  And thanks for your patience!


Saturday, December 14, 2013

MacMillan tartan, Wilsons' colors

I took delivery of a length of custom woven MacMillan tartan today, in the historic Wilsons of Bannockburn color pallette.  Nice!

 
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Wednesday, November 13, 2013

A few photos

As usual, I've been too busy to blog much lately, but wanted to share these photos to show that we're still busy creating and shipping out some wonderful and unique Highland dress items!

Here are a pair of Colquhoun kilts -- oddly enough, made for two different, unrelated clients.  The one on top is reproduction Colquhoun from DC Dalgliesh.  It's a four yard box pleated kit that shipped out with a matching tartan waistcoat (not pictured).  Then below it is the cloth for an ancient Colquhoun kilt.  The cloth was supplied by the client, but I believe it was Lochcarron woven.  That was made up into a six yard box pleated kilt.

The above two photos are of a four yard box pleated kilt in the 42nd band tartan, Wilsons of Bannockburn historic colors.  This tartan is the same as the Black Watch, with the black replaced with red.  I love the pleat detail shot, which shows the nearly invisible hand stitching!

Let's not forget about the knitwear!  Here is a lovely pair of grey and white shepherd check kilt hose hand knit by my wife for a client who saw a photo of me wearing my hand knit hose and just had to have a pair.

And finally, the most recent creation to leave our workshop - a formal waistcoat in the Polaris tartan.  Note the collar, and the cloth covered buttons.  It's all in the details!

Friday, November 08, 2013

Communications

When deciding to spend their hard earned money with any business, small or large, one factor that potential customers often consider is communication.  How easy will it be for me to communicate any questions or concerns with this business?  How open will they be to resolving any issues that I may have?  This is a very important concern, so I wanted to devote this blog post to the level of communication that my kilt clients may expect from me.

Communication is one factor of my business that is simultaneously a strength and a weakness.  What do I mean by that?

Strength:
When you communicate with me, you are communicating directly with the person who is making your kilt.  There is no middle man to go through.  I am actually the one cutting the cloth, stitching the pleats, and so forth - my hands are on every part of the process up to and including putting the mailing label on the final package.  So you will be talking with someone who has first hand knowledge about your kilt.

On top of that (time to toot my own horn) you will be speaking with a recognized expert in the field of tartan and Highland dress.  Believe it or not, I've met kilt makers (kilt makers!) who could not articulate the difference between pleating to sett and pleating to stripe.  That's not me.  If you have questions about some obscure pleating style or want a particular color scheme, or want some background information on an historic tartan, I'm your man.

Finally, I'm a pretty nice ad reasonable guy.  This is important, because you are dealing with an individual, not a large conglomerate.  If you have any kind of issue with your kilt regarding the fit, or if you are unsatisfied in any way (and this is rare) I am very willing to work with you to resolve the situation.  I am not slave to "company policy," and my primary concern is that you end up with a kilt that you are happy to own and proud to wear.  Kilt making is a business, but it's also my hobby, and so I am more concerned about you having a good quality kilt than I am about the bottom line.  That's something you won't always get from the "customer service department" of other companies.

Weakness:
But communication is at the same time a weakness and I recognize that fact.  I'm not always easy to reach by phone.  I can be slow in answering emails.  I'm not always able to give a quick, immediate reply to your inquiry and for that I apologize.

Kilt making is not my full time job.  It is a hobby business that I work at during evenings and weekends, and that does affect the level of communication I am able to offer.  I am happy to give clients and potential clients my business number (which is my cell phone number), but I am not always free to take those calls if I am engaged in my full time job (which has somewhat irregular hours).  The next time I am able to respond to your communication may be early morning or late evening and so you are more likely to get an email reply from me than a return phone call.

While I do check my email frequently, that does not mean I always have time to reply to your email right away - especially if your question requires any sort of research or thought-out response.  And if I cannot get to your email right away... well, there is the danger of it getting pushed down my inbox and neglected.  I try to avoid this, but it happens more often than I'd like to admit.

My full time job requires a high degree of interpersonal communication, which means often I am talking with people in person, on the phone, or via email, all day long.  When I get home in the evenings often the last thing I want to do is to call or email people - I just want to sit in my workshop and make kilts!  So I can be admittedly slow in responding to messages, and I just beg my customers' forgiveness and patience in this regard.

Some tips:
With that in mind, I truly don't want any of my customers to feel neglected or feel like their business is not important.  So I've put together these tips for the best ways to get in touch with me.

Phone:  Phone is definitely NOT the best way to reach me.  I think it is important that my customers have a real phone number for me, however, which is why I post it on my web site and include it on my business cards.  I know how valuable it is to know there is a real person you are dealing with whom you could actually talk to about your order if needed.  So I am happy to provide it.  However, I can be difficult to reach by phone and so that's not my recommended method of routine communication.

As I said above, I work a full time job, and I am not always free to take phone calls.  And because of the nature of my job, my hours can be kind of odd, so there is no guarantee I will be available at any given time, be it 9 in the morning or 8 in the evening.  It's hit or miss.  So more than likely you will have to leave a message, which I guarantee I will listen to.  However, often the next time I am free to work on replying to customer inquiries will be early morning or late evening, which are not the best times for phone calls.  So you are more than likely going to get an email reply from me.  So best to just email in the first place, unless it is something you truly need to speak with me in real time about.

One final note about the phone: yes, it is a cell phone; no, that does not mean you should text me.  Yes, I do text, and do it quite often to communicate with family and friends.  But it's just not a good way to communicate about your order.  Chances are, I won't recognize your number, and a text from an unknown number that just says, "Can I get an update on my kilt?" does not do either you or me much good.

Email.  This is, by far, my preferred way for you to communicate with me.  I keep a full record of all email correspondence.  So it is super easy for me, if I have any questions about your order, to just search for your email address and read through our entire conversation.  It's the primary way I keep record of your order.  So email is definitely best.

I check my email several times per day on most days.  However, that does not mean I am always able to give attention to your email right away.  This is especially true if your email requires me to look up something (be it information about your order, or an historical fact about Scottish dress), or if your email inquiry is long and involved.  I get a lot of email and depending on the volume any given day, it can be easy for an unanswered email to get shoved down the inbox listing and become neglected.  This is not intentional on my part, but it does happen.  So if you have not heard from me after a day or two, just send me a reminder.  I won't mind at all, and it will actually help me make sure that your inquiry does not get forgotten about.

One further email tip: if at all possible, keep your email short and to the point.  All too often, I will receive an email that is many paragraphs long - sometimes with poor grammar and no punctuation - and after reading just a few sentences I decide, "This is going to take some time to work through, I'll look at it when I can dedicate the time."  Later on, when I finally have the time to parse through the email, I discover that person really just had one simple question that was buried in the fourth paragraph, which would have taken me about 30 seconds to reply to had I known.  So please, try to keep your emails short and sweet - this will help make sure I am able to reply to them in a timely fashion.

Facebook.  I do have a Facebook account which I use for personal purposes, and I have a Facebook Page for the business, which I welcome you to follow.  But Facebook is NOT the best way to communicate with me about your order.  I much prefer email.  It's easy for a comment made on my Facebook page to go unnoticed and get forgotten about.  I try to read most of the comments left on Facebook, but I cannot guarantee I will read every single one.  So if you have a real question about your order, or a potential order, take whatever you were going to post on Facebook and email it to me instead.

X Marks the Scot.  I love this web forum; it's a great place to talk to other people who share in your same highland dress enthusiasm.  I have had an active account there for almost ten years.  New House Highland is a paid X Marks advertiser and so I have a dedicated forum on that site.  Any postings made in that dedicated forum get emailed to me.  Also, any Private Messages sent to me on X Marks also get emailed to me.  So that can be a good way to reach me.  However, I still prefer email for general communication about your order.  The reason being that I need to log back into X Marks to reply to your PM or forum posting, and I may not be able to do that right away when I receive the email notification.  That increases the chance that I will forget about your correspondence (at least until the next time I log into X Marks).  Not to mention the fact that any communication about your order made via X Marks (or Facebook) won't be included should I need to call up record of our email correspondence to verify anything about your order.  So again, email is best.

The Scottish Tartans Museum.  For fourteen years I worked at the Scottish Tartans Museum in Franklin, NC.  I still support the museum, and have business dealings with the museum gift shop.  I occasionally make kilts for them, and supply them with House of Cheviot kilt hose.  Because of my long standing association with the museum, it has happened that when people place an order (either for a kilt, or a pair of kilt hose) through the Scottish Tartans Museum gift shop, they will want to communicate with me directly with questions about their order.  Please, if you placed your order through the museum gift shop, direct your questions to the museum gift shop.  In these cases, I will not have any kind of order record for you and so will not be able to speak with you about your order.  Nor would it be my place to do so.

In summation
To sum everything up, I think good communication is vitally important to any business.  At the same time, I am not any business.  I am a single person who handles absolutely everything about the business.  I am the production team.  I am the IT department.  I am shipping/receiving.  I am the customer service department.  I also don't do this full time - and I have a family that I like to spend time with, as well.  Owning your own home based hobby business has a lot of good aspects about it, and I enjoy every minute of it.  But it does mean that you cannot expect the same kind of customer support that you may find from larger companies with greater staff to handle questions and correspondence.  (Remember, time I spend answering emails is time I am not sewing on your kilt!)  The smallness of our operation here has its advantages and disadvantages when it comes to communication.

But please know that your business, your satisfaction, and your communications are important to me.  If I don't get back to you right away, know that it is because I am busy and sometimes forgetful (as we all can be), not intentionally negligent.  Email is always preferred.  Keep it short and to the point.  Give me a couple of days to get back to you.  And if you don't hear from me, just send me a reminder.  Those basic steps will help me provide you with the level of communication that you deserve, and that I want to provide.  Thanks for understanding!

Monday, September 02, 2013

Macbeth kilt - in progress

My client for this Macbeth tartan kilt (four yard, box pleated) requested that I take some "in progress" photos as I was making it.  I was happy to oblige.

 
 
 
 
 
 
 
 
 
 
 
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Saturday, July 20, 2013

What's been keeping us busy

Just a few snapshots of some things that have been keeping us busy lately.

First some hand knit small argyle pattern cuffs for these House of Cheviot kilt hose, by my lovely wife.


And a six yard box pleated Morrison tartan kilt I just shipped off to its new owner in Canada.
 
 
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Saturday, July 06, 2013

Campbell tartan, Duke of Argyll's colors.

I just sent out this very special kilt. It is the ancient Campbell tartan, and over the years I have made many kilts in this tartan. However, this customer had a special request. He wanted the cloth to be woven in the colors favored by the current Duke of Argyll. This required a special weave, which I was happy to do -- I happen to know the mill where the Duke gets his tartan woven and they were happy to oblige my request for this order.

Here is the Duke of Argyll displaying his tartan in these lovely light shades.

And here is the kilt I just sent off in the post. It's a 6 yard knife pleated kilt, heavy weight fabric, all hand sewn as are all of my kilts.





Wednesday, May 08, 2013

Act of Abolition T-Shirt

The anniversary of the Act of Abolition (1st July, 1782) is just a little over a month away.  What better time for the Scottish Tartans Museum to introduce this new t-shirt featuring art by Shaun Maxwell?

Tuesday, March 26, 2013

"Military" Box Pleats

"Military box pleat" is a term some people use to describe any box pleated kilt made from a high amount of yardage (nominally 8 yards); for example, the kilts worn by the Seaforth Highlanders, or the Queen's Own Cameron Highlanders.  In fact, these regiments are the most likely reason why people use that term, but more on that later.

I don't like using the term and I sometimes find myself having to explain why.  I am afraid that occasionally during these discussions I can come across as a nit-picker.  So I thought it would be helpful to explain in a single blog post my reasoning.  This way I can simply refer to this post the next time the issue comes up and be done with it!

But before we get into the term "military box pleat" and the issues I have with it, I want to explain why I care about kilt terminology at all.  For fourteen years I worked at the Scottish Tartans Museum and my work there involved me in educating the public about the kilt both historical and modern.  Highland dress is one of those subjects where a little knowledge can suffice to make one a self-appointed expert.  And there are legions of them.  Nearly every day I would find myself talking to a person who believed he already knew it all on the subject of the kilt.  But the fact is, there is a lot of misinformation out there that can easily lead to confusion and erroneous conclusions.  This was a constant source of frustration for me.

I'll give a few examples.  I once had a phone call from a person looking for information about "battle kilts."  At first I thought they were meaning regimental kilts such as issued by the Ministry of Defense.  But no.  They  had in mind inexpensive budget kilts, made from about five yards of cloth, roughly pleated and machine sewn, held up with velcro.  Some vendor at a Highland Games they attended was selling these as "battle kilts" and the person thought that was an actual Highland Dress term, with a history behind it; that men in Scotland would have their formal dress kilt to attend Highland balls in, and their "battle kilt" to wear while keeping the neighboring clan away from their cattle.

Another source of confusion is the term "regimental pleating."  If I hear that term, my first assumption is that the person means a kilt pleated to the stripe, as regimental kilts are.  But sometimes people use that term to mean a kilt made with a lot of small pleats (as any eight yard kilt would have).  I have even heard people use that term loosely to describe just about any knife pleated kilt.

And don't even get me started on the confusion surrounding tartan colors.  I have written volumes on the imprecise terms ancient and modern, weathered, reproduction and muted.  I couldn't tell you how often I've had calls from people asking about their "ancient weathered" tartan.  (Which is it, ancient or weathered?  It cannot be both.)  Confusion can even be found from sources that really ought to know better.  I was once surprised to find, on the official Clan MacKenzie web site, the MacKenzie tartan in the weathered colors referred to as the "Hunting MacKenzie" tartan.

So kilt terminology is a pretty muddy area to begin with.  When people hear a particular term used, their assumption more often than not is to take it as an accepted and recognized term, which is all-too-often not the case.  In light of this, I always try my best to be as precise and consistent as possible.  With this in mind, let's look at the term "military box pleated kilt."

Here is what comes to mind when some people hear "box pleated kilt."
This is a kilt made from about four yards of cloth.  This particular one has about eight pleats which are about 2.25" wide or so.  

Here is what comes to mind when other people hear "box pleated kilt" (photo courtesy Kinloch Anderson).
This kilt is made from about eight yards of cloth.  It has more than 20 pleats (I can't really see in the photo just how many) which are perhaps 3/4" wide, perhaps a bit less.  

Who is correct?  They both are.  The first kilt is an example of how kilts would typically be made c.1790-1850 (roughly).  The second kilt is an example of how kilts in certain military regiments would be made in the twentieth century.  Both are box pleated; they are simply made with different amounts of cloth.

Styles of Pleating
Before we go much further it would help to make sure we have our pleating terminology straight.  Just what is a box pleat and how does it compare to other forms of pleating?

Most kilts today are made with knife pleats.  Sometimes these are called side pleats, or natural pleats, but the most common term is knife pleat.  This pleat is made by simply folding over the cloth, so that the fold lies in one direction.  Here is an example.

By contrast, a box pleat is when the fold of the pleat is opened up so that the fold lies in both directions from the pleat.  So when you are looking at the pleat from the outside of the kilt, it looks like a little "box" with pleats going in at either side.

This photo was taken from the bottom of the kilt, so you can easily see how the pleats are arranged.  This particular kilt is made from four yards of cloth.  For the average sized man, four yards of cloth is sufficient to make a box pleated kilt where the two sides of the box pleat just about meet in the center, with little to no overlap of the pleats.  (More on that in a moment).

What is important here to understand is that these are really the only two types of pleats used in making kilts.  Any other differences in style are made either by combining these two pleat types (as in the Kingussie style of kilt, which is made with one box pleat, and multiple knife pleats), or by using different amounts of cloth to make the kilt.  The more cloth is used in the kilt, the more pleats can be made.  The more pleats there are, the smaller the outside "face" of the pleat will be, and the deeper the inside depth of the pleat.

A Brief History
More detail is on my web site, but it will be helpful to give a summary here.  The first kilts were untailored length of tartan worn gathered and belted at the waist.  But by the 1790s kilts were being made with the pleats sewn down from waist to hip.  These first tailored kilts were made from around four yards of cloth, and box pleated.  For the military, they were pleated to the stripe.  For civilian wear, they were originally pleated to no pattern at all.  By 1815-1820 or so, civilian kilts were also commonly being pleated to the stripe.

Over the course of the nineteenth century, the amount of yardage used in making kilts began to increase; gradually at first, and then more rapidly.  As late as 1881, McIntyre North was still writing in The Book of the Club of the True Highlanders that "a kilt... should measure about five and a half yards" of cloth.  He was a bit of a traditionalist, and many kilts made at this date had more that this.  By the time the twentieth century rolls around, you have the nominal eight yards of cloth considered standard for men's kilts.

Pleating styles also changed during this time.  As I have said, box pleating was the norm at first.  In 1854 the Gordon Highlanders became the first military regiment to make the switch to knife pleated kilts.  Others followed, as did civilian fashion.  But up to the late nineteenth century, one still found plenty of box pleated kilts in use.  All of the kilted figures in The Highlanders of Scotland series painted by Kenneth MacLeay c.1865-69 are wearing box pleated kilts.  And in 1881, McIntyre North was complaining that the "modern form" of pleating (knife pleating) was incorrect, and a proper kilt should be box pleated.

Nevertheless, by the twentieth century box pleating had completely gone out of fashion for civilian dress; the eight yard knife pleated kilt was the standard.  Most military regiments were also wearing knife pleated kilts. Only a few still retained the original box pleated kilt; such as the Seaforth Highlanders and the Queen's Own Cameron Highlanders I mentioned above.  But these were not the original four yard box pleated kilts of the end of the 18th century.  These were modern kilts made with a nominal eight yards of cloth (though in actuality often less was used).  And because more cloth was used, the kilts naturally had a different appearance.

You can see this easily in the first two photos of box pleated kilts I posted above.  To better illustrate just how the addition of more cloth affects the pleats, let's look at some more photos.  I have already shown you a "bottom up" view of a four yard box pleated kilt.  If we looked at that as a simple line drawing, it would appear like this.

What happens when we add more cloth?  Here is a box pleated kilt made with five yards of material.
Notice there is now some overlap inside the pleats, with one side of the "box" being a bit deeper than the other.  Here it is in a line drawing, perhaps a bit easier to see.

And if we continue to add more cloth...

Until we get to the modern-day box pleated kilt of certain regiments.

The Box Pleated Kilt of Today
Up until relatively recently, when someone mentioned a box pleated kilt, what they meant was the type of kilts currently worn by those few military regiments that continued to wear this style.  Very, very few civilians bothered to have their kilts pleated this way.  Most kilt makers did not even bother to learn to make this style.  It became the almost exclusive provenance of a handful of regiments.  So people naturally thought of box pleating as a military style (even though most military kilts by this time were actually knife pleated).

In 1982 kilt maker Bob Martin began to revive the older style of box pleated kilt, made from four yards of cloth.  Bob Martin was not only a kilt maker, but an historian of Highland dress, most especially the development of the kilt.  His kilt making career spanned more than 30 years, most the time based out of South Carolina.  So most of his kilt clients lived in a climate decidedly warmer than the Scottish Highlands.  For this reason many people would ask him to make their kilts from light weight cloth.

As a kilt maker, he knew heavier weight cloth was superior.  For those wanting a lighter weight kilt, he began to recommend a return to the original tailored kilts made from half the material of most modern kilts.  In addition to offering these kilts to his clients, he also taught a few others to make this style, including myself.  In 2004 I began to offer these kilts as a kilt maker.  In my kilt making career to date, I have made over 700 four yard box pleated kilts.  That same year I also began to actively promote this style on the internet, via my own web site and also through my participation on X Marks the Scot.

Because of this effort, the four yard box pleated kilt has a new lease on life.  Many kilt wearers now look upon this style as an acceptable alternative to the usual eight yard kilt of today.  But now we have an odd situation.  Because the modern style of box pleated kilt as worn by certain regiments is still comparatively rare, and because the original style of box pleated kilt with less material is becoming more familiar (in certain kilt wearing circles), confusion has crept in.  There is an obvious visual difference between the two styles.

If people's first exposure to box pleated kilts is the four yard style, they often don't know how to describe box pleated kilts made from more cloth.  I have heard all sort of descriptions, including "box-knife pleats" or "a box pleat with a knife pleat on one side," and "a knife pleat with the end turned back."  In reality, it is simply a box pleat.  Just as one can have a knife pleated kilt made from any amount of material, a box pleated kilt can also be made from any amount of cloth.

But people naturally feel the need to classify and name things they perceive as different.  And because of the association this style of pleating has with certain military regiments, some have taken to calling any box pleated kilt made from a nominal eight yards of cloth a "military box pleated kilt," and calling a four yard box pleated kilt simply a "box pleated kilt" or sometimes a "historic/traditional style box pleated kilt."

Let me say here that I do not have any problem with the term "military box pleated kilt" per se.  My concern is that they way it tends to be used is inaccurate and imprecise.

When I hear "military box pleated kilt," I hear three things.
1. A kilt
2. That is box pleated
3. For the military

But that's not how most people use the term today.  Some people assume that a military box pleat is an entirely different form of pleating than a "regular" box pleat.  As I have shown above, that is simply not true.  The only difference is yardage (which can also entail some different sewing techniques during construction, just as making a four yard knife pleated kilt will involve different techniques than making an eight yard knife pleated kilt).

What most people mean by "military box pleated kilt" is any box pleated kilt made from around eight yards of cloth -- even if is not in a regimental tartan, and the wearer has no connection with the military.  It is inaccurate to call such a kilt a military kilt, just as it would be inaccurate to call a non-regimental eight yard knife pleated kilt a military kilt.

What is more, this definition excludes many actual military kilts.  Here are a few examples from Bob Martin's book All About Your Kilt! (2001).

This is a regimental kilt from the Queen's Own Cameron Highlanders, made sometime prior to WWI.  It is a true military kilt, and box pleated.  But it is made with only 6.5 yards of cloth.

Going back further in time, we have this kilt.
This black and white photo shows a Seaforth regimental kilt (MacKenzie tartan) from the early nineteenth century.  It is a military kilt, and box pleated.  But it is made with just slightly more than four yards of cloth.  Because of the number and width of the pleats, it would not fit some people's definition of "military box pleated kilt" today.  But that is precisely what it is.

And looking even further back, to the very first tailored kilts, we find this.
Again, this is a military kilt, from the Gordon Highlanders.  This one is from 1796, and is box pleated.  It contains just over three yards of cloth.  This kilt has every right to be called a "military box pleated kilt" but it is just this kind of low-yardage box pleated kilt that people today mean to exclude by that term.

It seems to me that there is something wrong about using the terminology "military box pleated kilt" in such a way that would include non-military kilts while excluding actual military kilts.

The key factor in play here is yardage.  People use "military box pleat" to mean a box pleated kilt made from close to eight yards, and exclude box pleated kilts made from less cloth.  If that is the intent, then why not simply state the yardage of the kilt?

If I say "four yard box pleated kilt" there is no doubt as to what I mean.  If I say "six yard knife pleated kilt" or "eight yard box pleated kilt" there is no confusion.  And let's reserve the term "military" for actual military kilts, be they knife pleated or box pleated, regardless of the amount of cloth used.

Monday, March 25, 2013

Wilson of Bannockburn colors

In my kilt making, I offer clients a choice between the usual color options for tartans -- modern, ancient, weathered/reproduction -- and the more historic Wilsons of Bannockburn colors. 

Wilsons of Bannockburn was an old tartan mill that started in the 1760s and continued on into the early twentieth century.  They were the first large scale commercial producers of tartan cloth, and by the 1780s had standardized their colors to a large extent.  Modern day tartan researcher Peter MacDonald has painstakingly researched these colors and I am glad to be able to offer them as a special weave option for my clients.

The problem is, however, that most people are not familiar with what these colors look like.  In terms of how they compare to the modern-day color schemes people are used to, I say they are not as dark as the modern, but not nearly as light as the ancient.  But that is not really helpful.  And because no mill today stocks them as a matter of course, there are no swatch books or online thumbnail galleries to show what any particular tartan might look like woven in these colors.

In an effort to help people get some idea of what these colors look like, here are several photos showing cloth I have had woven in the Wilsons colors.  I have tried to select tartans that are both red-based and green-based to give a general idea of what other tartans might look like woven in this color palette.  I hope it is helpful!

To order your kilt in the historic Wilsons colors, click here.

 
 
 
 
 

The green/blue Armstrong tartan in the center is in Wilsons' colors.  The bolt to the left of it is in the reproduction/weathered colors.
 
 
 
 
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